on the latch spring
june breeze
a rainbow pinned
to her jeans shorts
Modern Haiku 52:3
inner ear dreaming up a shell
NOON: journal of the short poem #20 (read the latest issue/s online here)
autumn rain
nobody to hold
the ladder
Presence #71
spring morning
the graveyard fills
with butterflies
waiting for you at dusk robin song
Presence #70
& last but not least ‘Stillness in Movement’, a collaboration with Ron C. Moss & Steve Hodge, is available to view here.
A few days ago I had the pleasure of talking haiku/poetry/life etc with the wonderful Mike Rehling. Thanks for watching!
PS Pop over to the failed haiku youtube channel to browse more interviews with various haiku poets/editors.
a hint of jasmine
the rest
is moonlight
laughter across a fence the first orange-tip
mudflats the redshank’s beak drips dawn light
The Haiku Hecameron: Gratitude in the Time of COVID-19
white butterflies what language to pray in
Modern Haiku, 51:3
river mist
slowly morning
finds a way
Presence 65
stone steps
down hops a fly
with only one wing
Otata 46
tumbling stream
a sea thrift withers
where it bloomed
Presence 66
refusing to conceptualize winter stars
NOON #16
in this small puddle the whole oak
Acorn, spring 2019
the sound rain makes of dawn
Modern Haiku, 50:1
reflected
in your eyes
my doubt
frogpond, 41.4
aspen leaves
the storyteller
in me
summer breeze
one hand
on her straw hat
hogweed umbel
the spider secures
—its line
moonlit river
by now we know
how it feels
going deeper
into the moment
a bee’s shadow
rain pattern
humming something
ancient
Otata #36, Dec, 2018 ed. John Martone
more here: https://otatablog.files.wordpress.com/2018/11/otata-36-december-2018.pdf
dry riverbed
a gull cries
into its echo
first day of school
he repacks his bag
just one more time
Presence #62, edited by Ian Storr, Matthew Paul, Alison Williams
between stalks of sea thrift evening sun
Wales Haiku Journal, Autumn 2018, ed. Paul Chambers
in one breath
a feather lands
on its shadow
.
summer sun
a fly walks down
the dandelion’s stem
Kō, Spring 2018, ed. Kōko Katō
Caroline Skanne 